| Lesson Number | 1 | 2 | 3 | 4 | 5 | 6 |
| Time Allocation | 45 minutes | 45 minutes | 45 minutes | 45 minutes | 45 minutes | 45 minutes |
| Resources Needed | Audio of "Mambo Number 5", Internet access, projector | Internet access, projector, handouts with information about Lou Bega | Lyrics handouts, audio of "Mambo Number 5" | Internet access, projector, timeline handouts | Audio of "Mambo Number 5", lyrics handouts | Audio of "Mambo Number 5", performance area |
| Introduction | Play "Mambo Number 5" for the class and ask if anyone has heard it before. | Introduce Lou Bega and discuss the concept of cultural impact. | Hand out the lyrics of "Mambo Number 5" and play the song. | Discuss the concept of timelines and careers. | Review the lyrics and practice singing together. | Discuss what a performance entails and set up the space. |
| Development | Discuss the release date (1999) and the reasons behind its popularity (catchy tune, danceable rhythm). | Explore Lou Bega's contributions to society and culture, including his influence on music and dance. | Break down the lyrics line by line and discuss their meaning. | Research key events in Lou Bega's career and plot them on a timeline. | Practice singing the song as a group, focusing on rhythm and pronunciation. | Perform "Mambo Number 5" as a class, either in small groups or as a whole. |
| Conclusion | Summarize why "Mambo Number 5" was a hit and its lasting impact. | Summarize Lou Bega's impact and ask students to share what they found interesting. | Sing the song together one more time as practice. | Review the timelines created and discuss any patterns or interesting facts. | Final group practice, ensuring everyone is confident and ready for the performance. | Reflect on the performance and discuss what went well and what could be improved. |
| Assessment | Ask students to write down why they think the song was popular. | Have students share one way Lou Bega influenced culture. | Quiz students on the lyrics and their meanings. | Evaluate the completeness and accuracy of the timelines. | Observation and feedback on the singing practice. | Feedback on the performance and self-assessment by students. |